{"title":"Witty Books","description":"","products":[{"product_id":"heap-o-livin-lora-webb-nichols-copy","title":"Borderland -  Filippo Barbero","description":"\u003cp\u003e“All things in life that once existed tend to re-create”.\u003cbr\u003e\u003cbr\u003e“Borderland” represents an intimate research in a familiar place where I grew up since my tender years. Here I would find refuge in my grandparents’ house and feel a strong love coming from them, nature and all the living creatures in the land those silent hills where I felt free to express myself. To me everything is bordered in this rural village on Tuscan-Emilian Apennines, and it is this dimension of indefiniteness that pushes me to a relentless pursuit for the traces of a time that I have not lived enough or that I have lived too much.\u003cbr\u003e\u003cbr\u003eMy past blends with my present and suggests my future steps. I do not know whether I should listen to it or let myself be carried away by the fresh wind the same one that accompanied me and my grandfather and our conversations about existentialism during hot summer nights, while marvelling at the beauty of the constellation, lying downhill on a wet meadow.\u003cbr\u003e\u003cbr\u003eEverything that surrounds me wants to get close to me, just like then, rethinking the legacy of a relationship created in time: with this aim, begins a process of interpreting reality without a celebratory, symbolist nor documentary intent. Rather, it turns out to be an evolution aimed at a deep redemption of my past and present being, producing at the same time an emotional tension that, just as on an extremity, hovers between joy and pain.\u003cbr\u003e\u003cbr\u003eIn such research, which aims to establish a reality and dream, I try to retrace over time fragments of an existence regarding family, growth and belonging.\u003c\/p\u003e\n\u003cp\u003e*\u003cbr\u003e104 Pages\u003cbr\u003e23,5 x 28 cm\u003cbr\u003eHard cover\u003cbr\u003eDesign by Ilaria Miotto\u003cbr\u003eEdit and art direction by Tommaso Parrillo\u003cbr\u003eText by Aaron Schuman\u003cbr\u003ePublished in April 2025\u003cbr\u003e\u003cstrong\u003eISBN\u003c\/strong\u003e 979-12-80177-46-9\u003cbr\u003e\u003c\/p\u003e","brand":"Witty Books","offers":[{"title":"Default Title","offer_id":51615295504673,"sku":null,"price":28.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0787\/7938\/4097\/files\/borderland_9fea25de-4366-4f3f-8609-875af0de3152.jpg?v=1755802846"},{"product_id":"the-line-of-water-sara-palmieri","title":"The line of water - Sara Palmieri","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Line of Water explores memory as a shifting, fluid entity, where trauma is not just a wound but a catalyst for transformation. Through a poetic and metaphysical reflection on transience and loss, the project examines how the territory—both physical and emotional—absorbs, reshapes, and transmits traces of the past, generating new languages of remembrance and creation.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eSara Palmieri, a visual artist working primarily with photography, investigates the material and symbolic potential of images. Her practice extends into sculpture and performance, using experimental processes to explore how territory and personal narratives shape collective memory, questioning the ways in which images construct and deconstruct reality.\u003cbr\u003e\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eInspired by the Polesine flood of 1951—the most devastating in Italian history—the project considers the territory as an archive of memory, where water, earth, and inherited stories act as living agents of \u003c\/span\u003e\u003cspan\u003etransmission. The image itself becomes a perceptive surface where opposites merge: visible and invisible, past and present, submerged and emerged. The book-object, curated by Fiorenza Pinna, expands this exploration into a spatial, visual, and tactile experience. The material shifts, transparencies, and overlays disrupt the reading flow, mirroring the instability of history and perception. In this interplay between image and matter, the book itself becomes a territory of creation, where memory takes on new forms and new languages emerge from the fractures of the past.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e*\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e168 Pages\u003cbr\u003e23 x 31 cm\u003cbr\u003eSoft cover with dustjacket\u003cbr\u003eDesign and edit by Fiorenza Pinna\u003cbr\u003ePublished in March 2025\u003cbr\u003e\u003cstrong\u003eISBN\u003c\/strong\u003e 979-12-80177-45-2\u003c\/span\u003e\u003c\/p\u003e","brand":"Witty Books","offers":[{"title":"Default Title","offer_id":51615302385953,"sku":null,"price":22.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0787\/7938\/4097\/files\/line_of_water.jpg?v=1755801585"},{"product_id":"la-teoria-del-vuoto","title":"La Teoria del Vuoto","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLa Teoria del Vuoto (The Void Theory) originates from a photograph depicting a scene of everyday life in Buccinasco, a suburb near Milan. Years ago, in that quiet rural setting, some weapons were found, hidden or abandoned by unknown people.\u003cbr\u003e\u003cbr\u003eThis discovery gave rise to a web of episodes, places, and people that spread across Italy, reaching as far south as Platì, a small town near Reggio Calabria whose history has been intertwined with the one of Buccinasco for decades. The photograph stems from Corpi di Reato. Un’archeologia visiva dei fenomeni mafiosi nell’Italia contemporanea, a photographic project by Bonaventura, Imbriaco, and Severo, presented for the first time in 2012. Corpi di Reato explored the Italian landscape in search of the traces left by the mafia, grappling with the invisibility of this widespread and ever-changing presence, which has transitioned from violent massacres to silent infiltration.\u003cbr\u003e\u003cbr\u003eLa Teoria del Vuoto picks up this investigation, taking it in new directions where the central question becomes how photography can continue to narrate and document today. The void serves as a metaphor for the expansion methods of organized crime: void can be understood as the permeability of territories unprepared for the criminal threat, the ease with which clans establish themselves; a void is also what they carve out in the social fabric, eroding legality. 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